Why?  Music schools are looking for new ways to open their resources to a wider range of students.  Especially in the aforementioned area.  Technology is changing the way many of today’s leading musicians compose, perform and produce.  It is also changing the way in which music reaches audiences both in the recorded and performance mediums.

The country’s leading music programs and even traditional conservatories are taking notice.  There is a reason for this.  Schools are finding it necessary for their sustainability to train students for the careers that will exist 20 years from now.  This includes going beyond the traditional classical curriculum and picking up on ideas that have led to the emergence of non-traditional music programs such as Berklee College of Music and Musicians Institute.  Many of today’s jobs a few years from now will have been replaced by other things.  Other careers in music will be invented or explored.  What these jobs or other careers will be, only time will tell.  But colleges owe it to their students to make sure their needs are being met and that they are truly prepared for a career in music.

Traditional distinctions among types of music schools are becoming less prominent as schools increase their offerings by adding more academic and technology programs.  For instance, Chicago’s Columbia College just recently launched the Contemporary Urban and Popular Music Program and awards a Bachelor of Music degree for students that are interested in producing, composing and performing modern music.  Ironically, this is the same degree awarded to students for classical composition.

Many schools which started as traditional conservatories are now offering degrees in Music Business, Music Industry and Music Engineering Technology.  Berklee College of Music and the University of Miami’s Frost School of Music were the among the pioneers in these non-traditional fields of music.  Schools are offering these programs designed for modern music production which are essential for sustainability and are using modern methods in order to reach current and future students.

Music has been deeply affected by the enormous change evolving in all forms of media.  Every branch of the arts has and will be affected for years to come.  It’s important that we embrace the future and what technology has to offer in the field of music.  With new ideas come new possibilities and exciting opportunities.  This emerging trend has not gone unnoticed and many music schools are now getting involved.  Music colleges owe it to their students to meet their current goals as a musician and lead them in directions they may never thought existed.

The Basics

Ironically, the most absolute and basic element of being able to study music theory is actually not considered music theory. It’s called note reading. You will need to develop, at minimum, a basic to intermediate understanding of standard music notation in order to learn music theory on the internet. There are many options for studying basic note reading, and you can access software that will provide exercises on the internet, or just pick up a basic note reading book at a music shop. The best thing about using a computer to learn is that your mistakes will be identified right away, and the computer can show you how to fix them. Note reading will be the foundation upon which you build your music theory skills.

The Intermediate

Once you have gained an understanding of basic to intermediate note reading, then you’ll find that your quest to learn music theory on the internet will progress more smoothly. There are dozens of websites and program designed to help intermediate level learners understand music theory on the internet. Some are tailored to players of specific instruments or specific genres, and you’ll have to choose what you’d like to focus on.

After note reading, the next thing you’ll want to study is keys and key signatures. If you play an instrument, it might help you to learn some scales to help you understand and memorize the major and minor keys. Once you can understand keys and key signatures, you can move onto learning about chords, including their structure and what roles they play in music. You’ll want to learn how to build all types of chords including majors, minors, diminished, and seventh chords.

Believe it or not, there are some patterns in music that repeat themselves over and over again. Regardless of the genre, you will find certain chord patterns that appear across the board in every style of music. After you have mastered chord construction, then you will begin to study the order in which chords are commonly found. You can put this idea to practice by writing some songs of your own!

The Advanced

Depending on your instrument, there will be dozens of options for learning advanced theory. Guitar players will find that more advanced chord structures exist, and then study those structures and practice by using and finding these complex chords in music. All players will want to study modes as well, which is basically another way of forming scales outside of major and minor keys. If you are interested in writing music, you will also want to study more advanced uses of chords within music.

Music theory is a broad and dynamic concept to study. Some people spend their entire lives studying it, as there are PhD programs for music theory! You don’t have to dedicate all of your time and energy to music theory in order to understand it. The course offerings and materials that are found online make it possible to learn music theory on the internet.

Your music industry education can begin in college. If you are sure that you want to be the person who edits the recorded sound to make it better, then a college with a specialized music program is your best bet. These programs offer intense study of music and hands-on training. Someone who graduates from one of these programs will have the advantage of actual knowledge of music equipment.

Technical schools are also in high demand. At one time, people shunned technical training as being second class. It ran a distant second place to getting a degree at a four-year institution. But, when it came to finding jobs after graduation, technical school graduates had one very important advantage-legitimate experience handling the latest equipment used in the music industry.

Technical schools provide a mix of book learning and lectures and time in the music lab. Students get to create music, edit sound, and produce their own music to see how the process works. Many technical degrees are two-year programs but a lot of fundamentals and advanced teaching goes on in those programs.

Internships are required at most technical schools. They evaluate their students and how they apply the skills learned in the classroom in a work setting. Some programs at four-year institutions require internships before graduation but not all. An internship at this stage with an instructor to back you up is a great initiation into the music industry.

When choosing a music school or a music program at a college or university, review the entire program. Are the instructors credentialed? In the music industry, this could mean that they have twenty years experience as a sound editing engineer or a music producer. A Bachelors degree wouldn’t hurt either. With the constant changes in the music industry, be sure that your instructors can provide the type of training for you that is currently pertinent to the industry.

How is the program set up? Many programs offer more book work and less time in the lab. Theory is good to know if you are planning on a career in teaching. For a career that involves working in a music studio or on the sets of music videos, hands-on experience is more practical.

Studios are looking for graduates who can jump right in and be a part of the company. If the studio head asks you to sit at a station and make the sound better, your career could take a dive if you can’t work the equipment or provide an interesting answer. They don’t have time to waste on unprepared people.

Distance learning is also a way to get the education you need to perform technical jobs in the music industry. For those who have to work a regular job during the day to make ends meet, distance learning programs provide the opportunity they seek. All you need is a willingness to be flexible, a computer with Internet hook-up, a telephone, and commitment. Many distance learning programs are affiliated with local community colleges or university campuses so students have access to musical equipment. A student has the best of both worlds on their own terms.

So, before you decide to move to a major city to go to school, check out the local technical schools and distance learning. Being in New York or California won’t make you more likely to be hired, but the content of your school program might. Check with potential studios to see what program accreditations they recognize and shoot for a music program that has them.

Music theory is the language of musical construction. Those who understand the language of music, those who can read and write music are called musicians. Just as people who share a common language communicate everyday, musicians communicate through a common musical language.

The language musicians communicate in is not by speaking but rather by the use of sheet music. Sheet music contains information that allows musicians to play the same piece of music on their instruments regardless of which language they speak. People all around the world communicate through the language of music and that is why music is called the universal language.

2) Do I need to know music theory in order to play a musical instrument?

This is a tricky question and the answer is yes and no. Allow me to explain. If some noise or sound has rhythm, a melody, and harmony, it can be called music. Without these components it is simply noise or organized noise.

A musician, someone who understands music theory and is able to communicate in the language of music, will compose a piece of music and know what they are doing and why they are doing it. A musician will know the name of the notes, chords, and scales they are using and more important, they will know why the musical composition works or sounds good.

A musician does not need to hear the musical composition to know wether or not certain notes and chords sound good when played together, because the theory has already determined what note and chord families will sound good together and why it is so.

On the other hand many people who play music, do play by ear. Many of those who play by ear do not know the name of the notes, chords, and scales they are playing, yet they are able to create a musical composition that is pleasing to the ear of the listener.

Players who learn and create music by ear have developed a good sense of pitch and as they continue to train their ear, their ability to identify notes, chords, and qualities of chords, will improve.

Typically, those who play by ear are limited to playing simple forms of music like blues, rock, pop, and country. It is very difficult to play classical and jazz music without some form of musical training and a decent grasp on music theory.

People who have the ability to learn complex forms of music by ear have an extraordinary musical gift and they might even be considered musical prodigies.

To help draw a distinction between musicians and those who play music by ear I offer this example. A person who uses a computer may not have a clue about how a computer works, yet they can type a letter, send an e-mail, or surf the net. The same is true with music.

So, if a person who plays music by ear creates a musical composition that pleases the ear then they are likely applying principles of music theory wether they realize it or not.

3) Is music theory only beneficial to musicians?

No. Many studies have concluded that those who study music and the arts excel in school, career, and in life.

A degree in music is most always a liberal arts degree and therefore does not limit one to just being a musician. There are many career paths one can pursue with a music degree.

A person who understands music theory will typically pay close attention to the music they are listening to. Musicians will listen for rhythm, melody, harmony, note juxtaposition, point counterpoint, dynamics, etc… The better someone listens and can understand the nuances in the music they are listening to, the more they can enjoy it.

4) What is tablature and is it the same thing as reading music?

Tablature would not be considered reading music. Tablature is a system that shows guitar players exactly what notes and chords to play by showing where to place their fingers on the neck of the guitar. Tablature does not give enough information to play the music as it was written, with tablature you must know the song to be able to play it as it was written.

Tablature is a very effective tool for musicians and players alike and is widely used by both. Accurate tablature will allow a player to to copy a piece of music very close to the way it was written if they are familiar with the piece of music.

Tablature is not the same thing as reading music but it is a very useful tool for learning note for note transcriptions, and is a good learning tool as well.

5) What is the best way to learn music theory?

I believe the best way to learn music theory is through formal musical training. Music study can be acquired at a school that teaches music or by way of private instruction or tutoring. Learning music theory without the assistance of a teacher is possible but it would be a challenge.

My own experience is that the best time to learn music theory is when a person is young, between the ages of 8 and 12 or when a child is in elementary school. The chances of successfully learning music theory seems to be much better when the music training starts at an early age.

To read discussion on this topic visit my blog and remember, in music ignorance isn’t bliss, it just means more work!

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